Congratulations to the 2026 St. Louis Mercantile Library Prize Winner, Laura Helton

Photo of Laura Helton, with short hair, glasses, and wearing a collared shirt and blazer, smiling in front of a stone wall.

The Bibliographical Society of America (BSA) is thrilled to announce the winners for the 2026 St. Louis Mercantile Library Prize for the bibliography of American history and literature.  The prize committee selected the following works from a robust pool of applicants:

The winner of the 2026 St. Louis Mercantile Library Prize is Laura E. Helton’s Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History (New York: Columbia University Press, 2024).

In Laura E. Helton’s Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, an extraordinary range of Black collectors coalesces into a powerful narrative of meaning-making and institution-building. Arguing that “the generative and unruly practice of archiving became central to Black intellectual and social life in the early twentieth century,” Helton plumbs both the “tactile” and the “social” dimensions of collectors’ accomplishment: “They assembled files and scrapbooks, but they also assembled people, turning their collections into gathering spaces for the study of Black ideas.” Helton’s cast of characters is impressive and ingeniously assembled: now-recognized library giants Arturo Schomburg and Dorothy Porter; ephemeral scrapbook-maker L. S. Alexander Gumby and collector of World War II letters L. D. Reddick; and “bookladies” Virginia Lee in Roanoke, Virginia’s Gainsboro Library and Vivian D. Harsh of Chicago’s George Cleveland Hall Branch Library. Grounded in deep archival research and beautifully written, Scattered and Fugitive Things makes a signal contribution not just to Black bibliography but to bibliography writ large. Helton’s exceptional study will inform and expand conversations in Native American and Indigenous studies, queer studies, religious studies, and beyond about how archives function as personal and communal sites of creativity, organization, and activism.

Photo of Katie Mitchell, wearing glasses and a yellow long-sleeved shirt, sitting in an office. A stack of books is on the table surface in front of her. A set of lockers with more books and a globe is behind her.

Honorable Mention: Katie Mitchell’s Prose to the People: A Celebration of Black Bookstores (New York: Clarkson Potter/Publishers, 2025).

Prose to the People insists that bibliographers are everywhere, including in our local bookstores, browsing the shelves. Katie Mitchell has collected oral histories, recruited first-person narratives, and compiled vivid photographs of people and primary documents to create a vibrant quilt of a resilient institution: the Black bookstore. “Cultural hubs of Black art and thought,” these bookstores “were our counter-publics,” Mitchell writes. “They were our brain trusts. They held our intellectual pasts, presents, and futures in a country denying our intellects, pasts, presence, and futures.” Multivocal and brimming with life, truly nationwide in coverage, Prose to the People is a model of living bibliography, amplifying the voices of generations of booksellers, writers, and readers. This beautiful book—worthy of collection in its own right—gathers and enumerates Black-owned bookstores and reminds us that books are lively companions that collect community in addition to knowledge and story.

The Mercantile Prize jury is extremely pleased by the number of high-quality submissions received this cycle, reflecting ongoing interest in the use of historical children’s literature as the focus of bibliographic study.